116 Royalty-Free Audio Tracks for "Guitar Amp"

This is a blues riff in g at 120 bpm. Electric guitar to mic'd amp.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded congo drum, added flange, delay, bitcrusher, guitar amp *original creation - royalty free - free to use.

Recorded with zoom h4. Made with an electric guitar and an amplifier.

Gibson les paul studio, fender deluxe, mel9. Recorded with smartphone.

Walking - jazz guitar solo retro cinematic music surround. 120bpm.

Jazz guitar sort sample loopi made the score in maestro. Edited: adobe + fxs + mastered.

Recorded with smartphone, november 24, 2017.

Electric guitar chords going through a "honeytone" miniamp with the gain and overdrive all the way up. Seek eeeeeeelectricityyyyyy.

Recorded with smartphone, november 24, 2017.

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

This is a sample of an ibanez edr470ex recorded via amplitude vst software amplifier. This was the first recording i made after purchasing my emu audio interface.

Epiphone 335, fender deluxe hot rod, middleton, nova scotia, november 24, 2017.

A short clip of of a screaming electric guitar lick i made on my 1982 gibson les paul custom with marshall amp. It was recorded on a multi track music program, i then added chorus effect, the microphone was hooked directly to the desktop computer with reverb from a 50 watt marshall amp. This lick was played by me on my guitar.

Recorded my guitar amp. Used a analogue delay pedal to create the sound.

Recorded my guitar amp. Used a analogue delay pedal to create the sound.

This is a vox guitar amp switched on emitting the typical 60 cycle hum at top volume.

Buzzing sound created with a guitar amp and a ipad touch screen.

Very short piece of guitar sound you can use in your podcast, movie or anything you want to used it for. I played a samick hollow body guitar over a fender amp. I used different effects in the recordings, but, this one is the clean version.

Clean sound blues in em, c7/d, b7 and b. Recorded on an lg smartphone, yamaha pacifica electric and crate acoustic amp. This track is clean, no fx.

Some wah wah guitar i recorded for a video, sharing the guitar take from the track. Tascam dr-40 through a digital performer drv-100 (best mic i had at the time) recording a stratocaster playing through a crybaby wah pedal into a fender twin reverb amp.

Explosion sound with a relatively quick curve made using white noise run through eq's, guitar amp distortion and a chain of reverb/delays. Has.

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

I recorded these with my yamaha pocketrak. I used my epiphone sg directly off my simmons d200 drum amp. Edited with sony vegas with 2 track duplications. Please comment on what you may use it for. Thanks. :-).

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

Just stumbled across the recording of me scraping all of my guitar strings while adding headphones from my amp (with distortion) to my phone when i recorded the sound and i decided to share this with you.

A found loop. Used a randomized preset on some analog emulation synthesizer vst (i forget which) put through the il hardcore guitar amp plugin.

Street pop tunez delivers an amped bass on the electric side for your library. Works in all daws.

Mono-e-guitar-track amp-everything-at-11 boss-metalzone-60%gain metal-loop-dirty-noisegates-off i-cleaned-it-up-!boring! so-i-took-all-noisegates-off-for-a-more-authentic-sound.

Title says it all, idk what else to say other than i hope you like it lol if you have any tips on making better sounds or have something you want i will try.

Spooky-crazy tones; korg volcakeys, korg mini kaos pad2, boss dr3, audio recording to smartphone, via crate acoustic 35 amp, with blaxx delay guitar fx.

This is a simple sketch, where i played on electric guitar just for fun through a little guitar amp [pignose], some simple rock riff with solo part. It`s not a quality record, so i adding "lo-fi" in a name trek. Temp 77 bpm.

By chance i noticed that my guitar neck was cracking, in a very nice way. I used it, ever since i noticed this, for several sound design gigs. I hope you can use it too. (recorded with two neumann km184 mics and a ssl xlogic pre-amp. ).

A part 2 of metal loop p1, also created by me playing my bass with a pedal lol, recorded straight from my amp: enjoy!.

2 channel, drop-d chord played on a reverend rocco through a hughes&kettner; tubeman ii on distortion channel.

Slicex (fl studio)pedals "amp guitar" (vst)db glitch (vst)gross beat (fl studio)reverb effect (adobe audition)my computermy brain lol.

Rough e minor scale played on a jackson dinky with seymour duncan humbucker through a mesa boogie dual rectifier amp, recorded with a shure sm57 using audacity. Recorded in november 2014.

Heavy gain but not super high gain. Think loud marshall amp with the guitar player teasing you to the start of the song. And yeah it sounds almost like that one song you all know.

Ibanez guitar, lots of reverb and delay, using glass slide in conjunction with digitech whammy pedal,marshall amp, recorded with sm57 16 bit 44. 1 mono. Plenty of space in-between movements could be used as a whole or cut to taste. Great halloween filler!.

A new breath of an android, robot, a machine or an alien. Created with the plex synthesizer. This time: more fx. . . . Guitar amp, stomps, chorus. . . .

A short and simple tapping riff. All guitar tracks were recorded with an ibanez rg7321 plugged directly into an m-audio fast track pro. I used cubase as my daw and plugins by tse audio and lepou for overdrive and amp simulation, respectively, some stock cubase plugins (eq, compression, delay, etc. ) and some drum hits were added using superior drummer.

Made in ableton live. Layered together out of various explosions sounds and a kick drum. One sound layer ran through a guitar amp for distortion. Low-fi-ish.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

I recorded this on my yamamha pocketrak directly off my simmons drum amp using my epiphone sg with a vibrato pedal and a little whammy bar. One track duplication for each effect. Please comment on what you may use it for. Thanks. :-).

High e played on an acoustic gibson jumbo. The guitar was recorded with a single microphone (a brauner phantera) connected to an api pre-amp. The signal was fed into a digidesign a/d converter and recorded in protools 9 in waveform audio file format. All the samples were subsequently edited with the gpl software audacity. Location milano, italy. 2013.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

High e played on an acoustic gibson jumbonormalized to -3db with audacity. The guitar was recorded with a single microphone (a brauner phantera) connected to an api pre-amp. The signal was fed into a digidesign a/d converter and recorded in protools 9 in waveform audio file format. All the samples were subsequently edited with the gpl software audacity. Location milano, italy. 2013.

This is a tone that i generated using my electric fender strat through one of my vintage amplifiers in my studio. Works well as a sample for composing soundscapes with it - i've used these tones in maschine and other sequencing/midi based instruments to create some interesting orchestral arrangements with the tones.

Hoping this one doesn't have the squeak sounds like with the wav file. My first attempt at ambient guitar. Recorded with my epiphone sg through the walrus slo pedal on 'rise'setting, into the focusrite 2i2 interface and then into reaper. The bass is a squier mini-bass through a behringer bxl1800 amp into the interface and into reaper. I used reverb, eq, compression and pan surround on both instruments. Comments welcome and let me know what you use it for. :-).

From frederick noad's book: 'idiots guide to playing the guitar. ' noad plays it so beautifully, i could never match him, but i just wanted to try it with the electric instead. Recorded with my squire tele and squire bass into the focusrite interface. The guitar went through the walrus slo pedal on 'dream' setting with editing done in reaper. (shout out to kenny gioia for the tips). Bass was run through my behringer bxl 1800 bass amp and through the interface. Both instruments were triple tracked. Please comment on what you may use it for. Thanks. :-).